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The
Landscape and Arts Network was launched in 1993 by artist
Francis Carr with the aim of bringing together landscape architects,
engineers, architects, artists, educationalists and ecologists: in
effect, all those individuals, professional or otherwise, who feel
passionate about improving and sustaining the quality of our urban and
natural environment. Through an ongoing programme of seminars, visits,
conferences and meetings it helps to broaden the context in which we
understand art and landscape and continues to inspire practitioners of all
kinds and break professional boundaries.
As a network one of its founding aims is to encourage collaboration and
cross-fertilisation, both in theory and practice. Creativity is at
the heart of its agenda, offering unique opportunities for members to
explore and relate to a variety of challenges.
A comment from member Linda Gordon on
the latest LAN Journal :-
Journal 44 is a great read.
I found Anna Heineman’s article about Mel
Chin, an artist I did not know about before, extremely interesting and
encouraging. But I would like to put in a word for Andy Goldsworthy, who
would not be described as an ‘ecological artist’, but who none the less
over his career, has had an enormous and profound effect on changing
sensibilities, perceptions, attitudes and behaviour towards the earth and
its non-human life-forms. No, I am not president of the Andy Goldsworthy
fan club, but he simply is not an artist who ‘ just uses the land as a
canvas’. And as far as I am concerned, and thousand of others too, all his
work is a statement about the earth – whatever one might think about
individual pieces. His language is different, appeals to a different part
of our psyche – one does not necessarily need to be overtly activist, or
even collaborative, in one’s art-making, in order to reach the parts
that other artists don’ t reach.
Robert Smithson – well, maybe Anna Heineman
has a point there. I don’t think he cared a great deal about our ecology
and sustainable living – though he was asking the questions and he
was confronting people with the issues in a big (if
unsustainable)way.. . Spiral Jetty is an important landmark in every
sense of the word, and for many reasons.
Just thought I would regale you with my opinions. Here’s an
enjoyable brief overview of Andy Goldsworthy’s work:
www.redstarcafe.wordpress.com/2008/02/.
Some photos from the latest online
Journal 44 The Hopeful Earth Issue, now only available by joining
Landscape & Arts Network.



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Located within the Lee Valley Regional Park, at the top of Greater London,
Gunpowder Park is the largest outdoor space in the region dedicated to
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JOURNAL
44
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